#ipkenya Weekly Dozen: 10/08

African Telecommunications Union ATU Administrative Council Session Conference of Plenipotentiaries Kenya

  • Kenya Guns for Top ICT Positions in Africa and Globally [Official]
  • Strengthening Africa’s audiovisual sector: market intelligence is critical [WIPO Magazine]
  • Technology transfer to transform agricultural production in Africa [African Development Bank]
  • A decision-making tool for countries to implement the Multilateral System of Access and Benefit Sharing [Biodiversity International]
  • ‘My President is a Pair of Buttocks’: the limits of online freedom of expression in Uganda [Oxford]
  • Parallel imports remain a grey area for IP rights in East Africa [Captain Obvious]
  • Trademark Infringement in Nigeria: What is ‘Use in the Course of Trade’? [Afro-IP]
  • In case you missed it: You can now register copyright online in Kenya [KECOBO]
  • Industrial Property Act Comes Into Effect [Namibia Economist]
  • Scotch Whisky Association awarded a certification trademark in South Africa [the drinks business]
  • Ethiopia becoming an industrial powerhouse and future ‘Wakanda’ [Asia Times]
  • 10% of WIPO’s workforce comes from Africa [2018 Report]

For more news stories and developments, please check out #ipkenya on twitter and feel free to share any other IP/ICT-related items that you may come across.

Have a great week-end!

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#ipkenya Weekly Dozen: 03/08

China loves Africa Art by Michael Soi Kenya 2018

  • A Kenyan painter’s art questions China’s deepening reach in Africa [Quartz]
  • Implementing AfCFTA: When and How? [tralac]
  • Draft ICANN Africa Strategic Plan 2016-2020 Version 3.0 [Have Your Say]
  • How to sue a plagiarist – an opinion on the law and plagiarism [Stellenbosch]
  • Interesting end to Crown Hotel-Crowne Plaza Trade Mark Dispute [Addis Fortune]
  • South Africa: Fostering technology innovation [Cape Town]
  • Kenya: What happened to the boy who chased away the lions? [BBC]
  • Zambia: Government urges users to take up ZARRSO licences [IFRRO]
  • Ethiopia: New legislation for plant breeders’ rights [A+ Bunch of Lawyers]
  • African thought leaders on the Berkman Klein list of 2018-2019 Fellows [Harvard]
  • Vacancies: Development, Innovation & IP @ The South Centre [Apply Now]
  • WIPO Indigenous Fellowship Program [Deadline September 21, 2018]

For more news stories and developments, please check out #ipkenya on twitter and feel free to share any other intellectual property-related items that you may come across.

Have a great week-end!

#ipkenya Weekly Dozen: 27/07

CISAC AFRICA COMMITTEE REGION 2018 DjGrq71XsAA8DYh

  • Improving creators’ royalty collections in Africa: CMOs gather in Abidjan for CISAC’s Africa Committee [Official]
  • Figures of the week: Africa’s energy innovation landscape [Brookings]
  • 5th Global Congress on IP and the Public Interest, Sept 27-29 Washington DC [Register Now]
  • Nigeria announces national airline, didn’t register domain names [iAfrikan]
  • South Africa’s Proposed Copyright Fair Use Right Should Be A Model For The World [InfoJustice]
  • Kenya: MCSK asks MPAKE to stop collecting royalties [Pot Calling Kettle]
  • Africa Has an ‘Uber’ Opportunity to Disrupt Farming Technology [AGRA]
  • Poor e-commerce policies slow the uptake in Africa [The Star]
  • How broke public universities can change fortunes [Captain Obvious]
  • Does the fourth industrial revolution call for a sui generis form of IP protection? [A+ Bunch of Lawyers]
  • Comesa to set up team on digital free trade area [East African]
  • Time for a Sui Generis Technology Importation Right? [Afro-IP]

For more news stories and developments, please check out #ipkenya on twitter and feel free to share any other intellectual property-related items that you may come across.

Have a great week-end!

3, 2, 1: Action as Film Regulation Moves to ICT Ministry

Rafiki Movie Kenya Image Twitter Dc6K6pSW4AEDmmr

Last month, the President signed Executive Order No. 1 of 2018 on the Organisation of Government which, inter alia, assigned functions and institutions among Ministries and State Departments. One interesting new change in the structure of the Government is that Kenya Film Classification Board (KFCB) and Kenya Film Commission (KFC) are now listed under the State Department for Broadcasting and Telecommunications in the ICT Ministry. In addition the Ministry’s functions now includes overall responsibility for policies on film development in Kenya and the development of the country’s film industry.

This may all seem like a mundane bureaucratic detail but in reality it may well represent a fundamental shift in Kenya’s approach to the development of the creative economy and the important contribution of the film industry. But like every good story, there is a plot twist: the only thing that KFCB and KFC seem to agree on is that they are better off separate than together. Lately, the two lead film agencies have been at loggerheads (see video clips here and here) over how best the film industry should be regulated for the development of this vital pillar of the creative and cultural industries.

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The New Face of Creative Commons in Kenya

Elizabeth Oyange By Rori! Comics for UnCommon Women, CC BY

The inaugural meeting of the Creative Commons (CC) Kenya Chapter was held on 25 July 2018. This meeting marked the transition of the CC community in Kenya into a CC Country Chapter. A key agenda item was the election of several officials to manage the affairs of the CC Kenya Chapter. As readers of this blog may know, the Creative Commons community in Kenya was previously organised using an ‘Affiliate’ model with two Leads, a Public Lead (based at CIPIT – Strathmore University) and a Legal Lead (based Kenya Law i.e. National Council for Law Reporting).

Under the new structure, the Creative Commons Global Network (CCGN) co-ordinates and provides leadership in the global CC movement. The Global Network Council (GNC) is the governing and decision-making body of the CCGN. It consists of elected representatives of all CC Country Chapters and representatives from CC HQ. CC Chapters serve as the central coordinators of the work of the individuals and institutions participating within a country in support of the CCGN. As such, all those interested in becoming members of CC must register here either as Network Members or Network Partners (for Institutions) and belong to a Country Chapter.

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#ipkenya Weekly Dozen: 06/07

WIPO GII 2018 Dg3UBxgU8AAcHOu

  • The Global Innovation Index (GII) 2018 to be released next week [You’re Invited]
  • What the WTO decision on plain packaging means for developing countries [devex]
  • Time for a bioeconomy in Africa [ICIPE]
  • How fab labs help meet digital challenges in Africa [The Conversation]
  • Lionel Messi: Image Rights, International Financial Flows, Tax Havens and its Impact on Africa and Kenya [Academia]
  • Uganda’s Troubling Social Media Tax [HRW]
  • Kenya’s Digital Taxi Services Paralyzed, Strike Enters 4th Day [VOA]
  • Comment on South Africa’s Copyright Amendment Bill Until 18 July [PEN SA]
  • On the 36th Session of the WIPO – IGC: An Interview with Professor Chidi Oguamanam [Flora IP]
  • Ghana’s Copyright Administrator ordered to release funds to Audio-Visual Rights Society [GNA]
  • Intellectual Property Issues in Access and Benefit-sharing Agreements [WIPO]
  • Governance Issues of Nigerian Music Collecting Society, COSON Continues [Afro-IP]

For more news stories and developments, please check out #ipkenya on twitter and feel free to share any other intellectual property-related items that you may come across.

Have a great week-end!

Nollywood, Rejoice: Nigerian Copyright Reform Draft 2015 Bill Published

Nigerian-Copyright-Commission-NCC

In November 2012, the Nigerian Copyright Commission (‘the Commission’) formally launched the Reform of the Copyright System. The key objective of the reform was to re-position Nigeria’s creative industries for greater growth; strengthen their capacity to compete more effectively in the global marketplace, and also enable Nigeria to fully satisfy its obligations under the various International Copyright Instruments, which it has either ratified or indicated interest to ratify.

Since the formal launch of the Reform, the Commission has undertaken a number of activities, including review and comparative analysis and case studies of similar national reform efforts; stakeholders’ consultations; collation of commentaries; and analysis of stakeholder feedback.

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