- Ethiopia: Gearing up the postal sector to drive development [UPU]
- Egypt: Mo Salah accuses Football Association of ignoring image rights [BBC]
- Ghana: ARIPO launches Masters in Intellectual Property at KNUST [Going Places]
- Nigeria: ‘White gold’ – GM cotton hope for troubled textile industry [GLP]
- South Africa: Collecting society SAMRO under fire over multi-million US Dollar Dubai investment [Apparently]
- Zimbabwe: ARIPO Magazine Vol.8 No.2 is out [Get Your Copy Here]
- Kenya: Struggle to modernise traditional medicine is far from won [The Star]
- Double Trademark Law Whammy this week over at Afro-IP [Afro Leo & Friends]
- ICYMI: This Blogger is Now A Member of the Copyright Tribunal [Shameless Plug]
- New Paper Looks At Differential Protection For TK, Folklore [IP-Watch]
- Creative Markets and Copyright in the Fourth Industrial Era: Reconfiguring the Public Benefit for a Digital Trade Economy [Okediji]
- 5th Global Congress on Intellectual Property and the Public Interest [Register Here]
For more news stories and developments, please check out #ipkenya on twitter and feel free to share any other IP/ICT-related items that you may come across.
Have a great week-end!
This week, Netflix, the popular American multinational subscription video on demand (SVoD) internet streaming media service provider announced that it’s service has gone live globally. Kenya is among 130 countries that can now access internet streaming TV from Netflix. In Kenya, Netflix is now available via their official website: https://www.netflix.com/ke/ which means that for one monthly price Kenyan consumers can sign up to enjoy Netflix original series as well as its huge catalog of licensed TV shows and movies simultaneously with the rest of the world. As of October 2015, Netflix had 69.17 million subscribers globally, including more than 43 million in the United States of America.
In November 2012, the Nigerian Copyright Commission (‘the Commission’) formally launched the Reform of the Copyright System. The key objective of the reform was to re-position Nigeria’s creative industries for greater growth; strengthen their capacity to compete more effectively in the global marketplace, and also enable Nigeria to fully satisfy its obligations under the various International Copyright Instruments, which it has either ratified or indicated interest to ratify.
Since the formal launch of the Reform, the Commission has undertaken a number of activities, including review and comparative analysis and case studies of similar national reform efforts; stakeholders’ consultations; collation of commentaries; and analysis of stakeholder feedback.