“M1L3L3” is “MILELE”, a Swahili word which means “Forever”
- Call for Articles – African Journal of Intellectual Property [Deadline Next Month]
- Respect for IP – Growing from the Tip of Africa: International Conference [Registration Open]
- Video: Using blockchain to prevent counterfeit drugs in Kenya [IBM Research]
- The African music industry is gaining global interest [Axios]
- Encourage imitation to boost creativity in Kenya [Captain Obvious]
- Why India’s IP policy needs a South African tweak [The Hindu]
- Adeokin v. MCSN: No CMO licence required for an exclusive licensee of copyright to enforce its licence [The 1709 Blog]
- In Case You Missed It: Kenya Patent Office is Publishing List of Expired KE Patents [Big 4 Agenda]
- South Africa: Department of Trade and Industry Film Incentive [DTI]
- The New Face of Creative Commons in Kenya [Shameless Plug]
- South Africa: IP Management and the Commercialization of Publicly Funded Research Outcomes [WIPO]
- Kenya: Request for Comments on the Proposed Privacy and Data Protection Policy and Bill, 2018 [Deadline Next Month]
For more news stories and developments, please check out #ipkenya on twitter and feel free to share any other IP/ICT-related items that you may come across.
Have a great week-end!
- A Kenyan painter’s art questions China’s deepening reach in Africa [Quartz]
Implementing AfCFTA: When and How? [tralac
- Draft ICANN Africa Strategic Plan 2016-2020 Version 3.0 [Have Your Say]
- How to sue a plagiarist – an opinion on the law and plagiarism [Stellenbosch]
- Interesting end to Crown Hotel-Crowne Plaza Trade Mark Dispute [Addis Fortune]
- South Africa: Fostering technology innovation [Cape Town]
- Kenya: What happened to the boy who chased away the lions? [BBC]
- Zambia: Government urges users to take up ZARRSO licences [IFRRO]
- Ethiopia: New legislation for plant breeders’ rights [A+ Bunch of Lawyers]
- African thought leaders on the Berkman Klein list of 2018-2019 Fellows [Harvard]
- Vacancies: Development, Innovation & IP @ The South Centre [Apply Now]
- WIPO Indigenous Fellowship Program [Deadline September 21, 2018]
For more news stories and developments, please check out #ipkenya on twitter and feel free to share any other intellectual property-related items that you may come across.
Have a great week-end!
Last month, the President signed Executive Order No. 1 of 2018 on the Organisation of Government which, inter alia, assigned functions and institutions among Ministries and State Departments. One interesting new change in the structure of the Government is that Kenya Film Classification Board (KFCB) and Kenya Film Commission (KFC) are now listed under the State Department for Broadcasting and Telecommunications in the ICT Ministry. In addition the Ministry’s functions now includes overall responsibility for policies on film development in Kenya and the development of the country’s film industry.
This may all seem like a mundane bureaucratic detail but in reality it may well represent a fundamental shift in Kenya’s approach to the development of the creative economy and the important contribution of the film industry. But like every good story, there is a plot twist: the only thing that KFCB and KFC seem to agree on is that they are better off separate than together. Lately, the two lead film agencies have been at loggerheads (see video clips here and here) over how best the film industry should be regulated for the development of this vital pillar of the creative and cultural industries.
On 16 May 2018, President Uhuru Kenyatta (pictured above) assented to the Computer Misuse and Cybercrimes Bill, 2018. The Bill was passed by the National Assembly on 26 April 2018. Readers of this blog will note that, unlike the previous Computer and Cybercrimes Bill, 2017 that was first tabled in Parliament, the Act now contains some new provisions relating to blockchain, mobile money, offences related to cybersquatting, electronic messages, revenge porn, identity theft and impersonation, as well as the newly created National Computer and Cybercrimes Coordination Committee. A copy of the Act is available here.
From an intellectual property (IP) perspective, the Act is significant for several reasons, including that it creates new offences and prescribes penalties related to cyber-infringements, it regulates jurisdiction, as well as the powers to investigate search and gain access to or seize items in relation to cybercrimes. It also regulates aspects of electronic evidence, relative to cybercrimes as well as aspects of international cooperation in respect to investigations of cybercrimes. Finally it creates several stringent obligations and requirements for service providers. Continue reading
The word ‘Disconnect’ (see caption image above) may be the title of the latest Kenyan blockbuster film but it also embodies the current raging debate over proposed changes to The Anti-Counterfeit Act No. 13 of 2008. In our previous blogposts here and here, we have largely dwelt on the demerits of the proposals contained in the Statute Law (Miscellaneous Amendments) Bill 2018, which if enacted, would radically affect intellectual property (IP) enforcement in Kenya, principally undertaken by Anti-Counterfeit Agency (ACA).
Meanwhile, some readers of this blog, who happen to be IP practitioners specialising in brand enforcement and anti-counterfeiting matters, have rightly pointed out that it is equally important to consider the merits of and benefits expected from the proposed changes to the Act if and when the omnibus Bill is enacted. In particular, this blogpost will focus on the proposals relating to offences and the ‘recordation’ requirements.
The raison d’etre of the collective administration or collective management system in copyright law is to bridge the gap between rights holders and users of copyright works. So, what happens when collecting societies, or as they are commonly called collective management organisations (CMOs), fail to carry out this core function and instead become poster children for corruption, mismanagement, lack of transparency, and abuse of power?
Back in 2013, Jonathan Band and Brandon Butler published an insightful article titled ‘Some Cautionary Tales About Collective Licensing’ which exposed the dark side of CMOs around the world. This blogger was pleased that some of our work in the context of CMOs in Kenya was featured in the article, specifically the on-going wrangles between Music Copyright Society of Kenya (MCSK) and literally everyone else including the copyright regulator, copyright owners, copyright users and even other Kenyan CMOs in the music industry.
Previously, this blogger reported here that the High Court had suspended the coming into force of the Tobacco Control Regulations 2014 made by the Cabinet Secretary for Health scheduled to take effect on 1st June 2015. Recently in the case of British American Tobacco Kenya Ltd v Cabinet Secretary for the Ministry of Health & 4 others  eKLR, Lady Justice Mumbi Ngugi (known to many readers for her landmark decision on anti-counterfeit law and access to medicines here) delivered a judgment at the High Court dismissing claims by ‘Big Tobacco’ that their constitutional rights including intellectual property (IP) rights are being violated by the new Tobacco Regulations.